The words are pretty great, and they're accompanied by a cover by one of our all time-favourites (and former resident contributor!): Joey Hi-Fi. Taking advantage of the situation (as one does), we asked both the author and the artist a few questions...
EJ, what was the process in approaching Paris Adrift? How'd you go about the messy task of plotting/composing a novel that skips around in time?
EJ: I’d wanted to write about Paris since I spent 18 months living there after university, but it was the experience of working the night shift and having your body clock completely reversed that really sparked the idea of Paris Adrift. Time travel was a way to explore a lifestyle that felt at times surreal, and also some of the city’s fascinating history.
As for plotting - let’s just say it involved hair-tearing and the shape of the book changed a lot along the way.