Interviews Feed

'I wish I could've been in Alien': An interview with Mark Hamill (1980)

Trash Compactor[He hates the word 'genre', loves Alien and makes poop jokes. This 1980 interview between Empire Strikes Back-era Mark Hamill and Starburst reaffirms why we love the guy so much. -- PK]

Star-wars-episode-v-the-empire-strikes-back-lgI asked him if being a fan of the genre meant that working on the Star Wars films was a real pleasure for him.

Yeah, it really is. I've done a lot of work on different television shows that I wouldn't allow to be beamed into my house but they were just jobs I did as an actor. But luckily for me I love to work in this — I hate the word genre — but genre.

But wasn't he getting tired of devoting so much of his career to the Star Wars movies. After all, it had started for him back in 1976. Wasn't he just a little weary of the whole thing now?

No, not at all - really! First of all I think in Empire the story is just beginning to emerge. They laid the groundwork in the first one but now we can develop the story and the characters. Star Wars was very emotional but it was a much more visually orientated experience. I mean, for instance, the exalted feeling you get when we blow up the Death Star is a very mechanical manipulation of the emotions but in Empire we have to rely on the character revelations as the emotional climax.

There was a kid at the media screening here of Empire who was just in tears at the end of it and he was saying to me. It's not true, it's not true . . . you lost! And I was saying to him that I didn't lose. It was a moral victory! It was a moral victory that Luke didn't join with Darth Vader.

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A Matter of Oaths: An interview with Helen S. Wright

Power by Paul Calle (1963)A Matter of Oaths highres When A Matter of Oaths was first published in 1987, featuring an older woman as a space captain and centring on two men of colour in an intense, romantic relationship, it was a hard sell: 'I have a rejection letter from a well-known editor saying that they wouldn’t buy the book because the gay relationship was so integral to the plot, even though they weren’t a homophobe, nor were many in the SF audience (!). Apparently, I wasn’t "breaking new ground" and risked "alienating some readers."'

The book follows Rafe, a young webber with a mysterious past, who joins the crew of Bhattya, a patrol ship under the command of Rallya, an aging, grumpy, and talented woman in denial about the end of her career. As an oath breaker, Rafe is shunned by many, but aboard Bhattya, not only is he given a second chance, he also finds support in his quest for his own identity.

When I read the first few chapters of A Matter of Oaths, I realised instantly that it was right up my street. Discovering that it was tragically out of print, I knew I had to track Helen down and see if there was anyway she’d want to work with us (reader, I signed her). To my complete delight, we are going to be republishing her book, bringing it to a new generation of readers, and I wanted to find out what Helen thinks about the changing landscape of science fiction from then to now, and also pick her brain about her writing.

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Small Press Shakedown: Michael Curran of Tangerine Press

Tangerine Press
The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week our featured publisher is Tangerine Press.

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Could you tell us a bit about who you are and what you're doing?

My name is Michael Curran and I founded Tangerine Press in 2006. The original plan was to publish limited edition, handbound books of poetry and prose by authors I admired, whether they be known or unknown, dead or alive. I was quite happy doing this for 7 years – binding books in the evenings after work and at weekends – until January 26th 2013.

That date is burned into my memory because for the first time in my life I called an ambulance: for myself. Following a serious back injury and subsequently losing feeling in my left leg from the knee down, then the whole leg, I had to reconsider my future. There was plenty of time for that: I was laid up for 3 months, in and out of hospital, etc. Dropping six Tramadol every morning just to make the day bearable. Going back to The Building Game – I was a self-employed carpenter for 16 years – wasn’t an option.

So the future suddenly had to be Tangerine.

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Small Press Shakedown: Cherry Potts of Arachne Press

9781909208100The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week our featured publisher is Arachne Press.

Could you tell us a bit about who you are and what you're doing?

Arachne Press was born out of frustration as a writer with my existing publisher, and an opportune redundancy, which meant the mortgage got paid off and possible poverty wasn’t going to mean homelessness, so I decided to take a risk and do what I had always wanted – yes, 1970’s careers advisor, I did it in spite of you – be a publisher.

It’s ended up being a much wider remit than that – I also run The Story Sessions an irregular live lit event in South London and an annual festival Solstice Shorts which mixes time-themed words and music, on the shortest day of the year on the Prime Meridian in Greenwich; I video as much of the live stuff as I can, and when we get funded, we have BSL interpreters as well to make our work as accessible as possible.

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Small Press Shakedown: Dave de Burgh of Tickety Boo Press

Tickety Boo

The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week our featured publisher is Tickety Boo Press.

Could you tell us a bit about who you are and what you're doing?

Tickety Boo Press was started at the end of January, 2014 by Gary Compton, who remains our driving force and managing director. We're a small, independent publisher, and we publish Science Fiction (through our Space Dock imprint), Fantasy (through our Phantasia imprint), edgy, crazy, not-your-usual SpecFic thrillers (through our Critical Mass imprint), and Horror (through our Spectral Press imprint). We follow the traditional model of publishing, submissions, etc.

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Small Press Shakedown: Gary Budden of Influx Press

Imaginary Cities

The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week our featured publisher is Influx Press.

Could you tell us a bit about who you are and what you're doing?

I’m Gary Budden, one of the founders of independent publisher Influx Press. I set it up in 2011 with Kit Caless (now of Wetherspoon’s Carpets fame…) with the aim of producing one anthology and things snowballed a bit from there.

We originally started out with the idea of producing what we called ‘site specific’ writing, i.e. writing with a strong sense of place. That’s broadened out a little now to whatever great fiction and creative non-fiction takes our fancy – which is one of the benefits of running your own press, of course.

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Small Press Shakedown: Francesca Barbini of Luna Press

British_Fantasy_cover_new

The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week our featured publisher is Luna Press.

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Could you tell us a bit about who you are and what you're doing?

Luna Press was born out of my love of reading. I grew up surrounded by books, mainly Fantasy and Science Fiction and owed much of my creativity and interests to other people's stories. Luna exists exactly for this purpose, to be a platform, to allow new voices to be heard and in turn inspire others.

We love a diverse approach to Fantasy and Science Fiction, which is why we give a lot of importance to art and non-fiction. We have organised art shows to go with our illustrated stories, and we encourage research on Fantasy and Science Fiction, especially with our annual call for papers.

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Small Press Shakedown: David Rix of Eibonvale Press

Allen Ashley  - Planet Suite

The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week our guest is David Rix, from Eibonvale Press.

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Could you tell us a bit about who you are and what you're doing?

Eibonvale Press has always been one of the more far-out presses working in the UK – and very much a cottage industry, with only one person running it and taking care of the design and editing. I am most interested in material that falls between genres, but essentially that covers everything from the fringes of horror through speculative fiction to more literary styles – always with a fantastical and ‘strange’ slant. 

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Small Press Shakedown: Philippa Martinez of Uruk Press

Fencing AcademyThe UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week, our guest is Philippa Martinez from Uruk Press.

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Could you tell us a bit about who you are and what you're doing?

Uruk Press has a humble aim: to publish the best in fantasy and science erotica. Hey, you have to aim big, right? I started the company a couple of years ago when I was on maternity leave and feeling a bit depressed and isolated from the world. Rediscovering my love of fanfic and online fantasy filth was a bit of a lifeline and then I though, why not do it yourself?

I was pretty much a total amateur but things seem to have worked out quite. I've even got over my phobia of cheesy but commercially useful blurbs!

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Small Press Shakedown: George Sandison of Unsung Stories

9781907389412The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week, our guest is George Sandison from Unsung Stories.

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Could you tell us a bit about who you are and what you're doing?

The elevator pitch is ‘literary and ambitious genre fiction’. We also look for debuts, so for us it’s about giving new authors a home where they don’t have to compromise. There’s a tendency in the industry for emerging writers having to prove themselves before they attempt more outré works – we don’t agree!

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