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Small Press Shakedown: Francesca Barbini of Luna Press

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The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week our featured publisher is Luna Press.

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Could you tell us a bit about who you are and what you're doing?

Luna Press was born out of my love of reading. I grew up surrounded by books, mainly Fantasy and Science Fiction and owed much of my creativity and interests to other people's stories. Luna exists exactly for this purpose, to be a platform, to allow new voices to be heard and in turn inspire others.

We love a diverse approach to Fantasy and Science Fiction, which is why we give a lot of importance to art and non-fiction. We have organised art shows to go with our illustrated stories, and we encourage research on Fantasy and Science Fiction, especially with our annual call for papers.

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Small Press Shakedown: David Rix of Eibonvale Press

Allen Ashley  - Planet Suite

The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week our guest is David Rix, from Eibonvale Press.

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Could you tell us a bit about who you are and what you're doing?

Eibonvale Press has always been one of the more far-out presses working in the UK – and very much a cottage industry, with only one person running it and taking care of the design and editing. I am most interested in material that falls between genres, but essentially that covers everything from the fringes of horror through speculative fiction to more literary styles – always with a fantastical and ‘strange’ slant. 

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Small Press Shakedown: Philippa Martinez of Uruk Press

Fencing AcademyThe UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week, our guest is Philippa Martinez from Uruk Press.

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Could you tell us a bit about who you are and what you're doing?

Uruk Press has a humble aim: to publish the best in fantasy and science erotica. Hey, you have to aim big, right? I started the company a couple of years ago when I was on maternity leave and feeling a bit depressed and isolated from the world. Rediscovering my love of fanfic and online fantasy filth was a bit of a lifeline and then I though, why not do it yourself?

I was pretty much a total amateur but things seem to have worked out quite. I've even got over my phobia of cheesy but commercially useful blurbs!

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Small Press Shakedown: George Sandison of Unsung Stories

9781907389412The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week, our guest is George Sandison from Unsung Stories.

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Could you tell us a bit about who you are and what you're doing?

The elevator pitch is ‘literary and ambitious genre fiction’. We also look for debuts, so for us it’s about giving new authors a home where they don’t have to compromise. There’s a tendency in the industry for emerging writers having to prove themselves before they attempt more outré works – we don’t agree!

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Small Press Shakedown: Christopher Teague of Pendragon Press

Bric-a-Brac-Man-Front-Cover-small-e1435060454931 9781906864248The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week, our guest is Christopher Teague from Pendragon Press.

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Pendragon are one of the classics of the UK scene, and you've given 'first breaks' to everyone from Gareth Powell to Mark Charan Newton. Could you tell us a bit about who you are and what you're doing?

For nigh on 18 years, Pendragon Press has been part of my life – but I’ve been involved in the small press as a reader for over 20 years ever since I discovered Chris Reed’s BBR catalogue in the mid-90s.

I initially started out as a wannabe writer, with two stories to my name and plenty of rejections. It was when I got bounced from Nasty Piece of Work after about the third or fourth time I thought, “just how difficult would it be to put together an anthology?” And Nasty Snips was born.

The rest, as they say, is history. . .

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Small Press Shakedown: Martin Appleby of Paper and Ink

Paper and InkThe UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked& a number of editors to share what they're working on - and what they're looking for. This week, our guest is Martin Appleby from the literary zine PAPER AND INK.

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Could you tell us a bit about who you are and what you're doing?

My name is Martin and I edit, design and distribute PAPER AND INK, which is a submission based literary zine. I also publish various other zine-based literary treats, such as poetry collections and novels.

What are the stories or the novels that you want to publish?

My personal preference is to look for stories that have a basis in reality. A grounding in day to day life. I tend to lean more towards working class stories, as that is my background, but I like anything that has bite. I like stories that will kick you in the teeth and then buy you a beer afterwards. Snappy, concise prose doesn't go amiss either.

What have you recently published, and what's coming soon?

Aside from the regular issues of PAPER AND INK, last year I published a serialised novel (over three parts), that was kind of an experiment to see if the format would work and it turned out to be pretty successful. I am not actively seeking more novels to publish but if the opportunity arose I would consider it. I also published two poetry collections last year and will be publishing another two this year.

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Small Press Shakedown: Dominic Stevenson of Listen Softly London

Gary from LeedsThe UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week, our guest is Dominic Stevenson from Listen Softly London.

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Could you tell us a bit about who you are and what you're doing?

Listen Softly London started out as a creative arts night. We'd have poets, storytellers, comedians, and so on and we'd all get together and perform and critique and eventually the press seemed like a natural extension of that. 

To me the press is an opportunity to speak to people who may otherwise not access an arts event. It was a way of expanding beyond the echo chamber.

What are the stories or the novels that you want to publish?

I believe in using words powerfully, and that means I want stories and other works that really look beyond the obvious. We all hate racism, sexism, homophobia, transphobia, but how can your writing get that message to an audience who may not agree? How can it be persuasive?

It's easy to sell books to likeminded people, but how can we get them beyond?

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"Hey guys, it's me again, stuck in a hole.” - An interview with Ryan North

Romeo And/Or Juliet

Jared: Romeo and/or Juliet! It is an amazing feat! How do you even set about writing something like this?

Ryan Q North: I tried to write a non-linear second person style book before I did To Be Or Not To Be and I got nowhere. I literally did not know where to start. It's like what am I doing? This is a waste of time. I should never do this again. And I stopped; and then, when I had the idea for To Be Or Not To Be, the backbone of the Shakespeare play gave me a place to start with, a place to bounce off of, a place where, if I wasn't sure what would happen next, I could at least have the canonical version of the play to see what Shakespeare did.

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Small Press Shakedown: David J Howe and Stephen James Walker of Telos Books

Death-of-the-Day-380x0The UK has a fantastic small press scene. To celebrate the people behind the imprints - and help out the writers that are looking to them for publication - we've quizzed a number of editors about the nuts & bolts of their submissions process. This week, our guests are David J Howe and Stephen James Walker, from Telos Publishing.

Pornokitsch: Thanks for taking part! Could you tell us a bit about Telos, and the books that you publish?

David J Howe and Stephen James Walker: We are Telos Publishing Ltd, a small independent press run by David J Howe and Stephen James Walker.

We have two imprint areas: the main press, which specialises in non-fiction, particularly guides to film and television; and Telos Moonrise, edited by Sam Stone, which presents fiction in a number of different genres - horror/fantasy/science fiction/crime/romance/erotica - mainly for the e-book market, but also in paperback editions.

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Small Press Shakedown: Peter Coleborn and Jan Edwards of Alchemy Press

The UK has a fantastic small press scene. To celebrate the people behind the imprints - and help out the writers that are looking to them for publication - we've quizzed a number of editors about the nuts & bolts of their submissions process. This week, we're hosting Peter Coleborn and Jan Edwards, from Alchemy Press.


Dead-water-cover-003cPornokitsch: Thanks for joining us - could you tell us a bit about who you are, and what bookish things you're doing?

Peter Coleborn and Jan Edwards: We started Alchemy Press in the late 1990s with a National Lottery Grant, so we’re now over 15 years old. Our first book was a slim volume of Damian Paladin stories by Mike Chinn. The press won the BFS award for best collection in 2000 with Kim Newman’s Where the Bodies are Buried. And in 2014 we won the award for best small press, also from the BFS. Among our titles are the series anthologies, The Alchemy Press Book of Pulp Fiction and The Alchemy Press Book of Urban Mythic.

PK: What are the stories or the novels that you want to publish?

PC & JE: There is no one genre or sub-genre. We’ve published fiction that ranges from science fiction to horror, heroic fantasy to the supernatural. I guess the underlining theme is “weird” – however one defines that word. And, of course, good writing, good characterisation, good stories. For example, check out our collections by Peter Atkins and Bryn Fortey and David A Sutton to get an idea of our tastes – and especially the stories in our anthologies, too.

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