Happy 50th Anniversary, Dune! To celebrate (?), we've put together a special edition of Films of High Adventure. Why's it so special? Well, we have Jason Heller, Hugo-award winning editor, author of Taft 2012, and writer for the A.V. Club and NPR here with us! As Jason is a consummate Dune (the novel) fan-cum-expert, we thought it would be fun (for us, at least) to ask him to watch Dune with us, and see if it stands the Films of High Adventure test of time. Heh.
There are roughly 9000000 versions of Dune out there, and we actually tried to watch the 3 hour version of Dune for this... but from what we saw it was mostly a camera panning over watercolors of planets. So we ditched it and went for the director's cut (I think?), which is the pretty dang long, but not the longest version. It's the one we all watched/remembered, so it was more authentic that way.
The Film: Dune (1984)
Responsibility Roundup: While it may seem unfair to hold Frank Herbert accountable for the film, credit where due—he did write the novel. Given all the liberties taken with the text, it seems most accurate to view Herbert as the Great Maker, and writer-director David Lynch and executive producer Dino De Laurentiis as two rival barons fighting to the death over the intoxicating essence produced by their sandworm cash cow. It’s not surprising that the film came to be defined by their conflict, since Lynch is of course best known for his heady, esoteric creations like Mulholland Drive and Twin Peaks, whereas De Laurentiis is synonymous with meaty, straight-forward fare like Barbarella, Conan the Destroyer, and dozens of other Films of High Adventure candidates. Photography by Hammer and Amicus alum Freddie Francis (Torture Garden), production design by Anthony Masters (2001: A Space Odyssey), costume design by Bob Ringwood (Burton’s Batman), and soundtrack by Toto and Brian Eno.