So many people with so many memories about Bowie and, yet, some things remain constant across generations, cultures, time and space. What seems to be said the most is that he stood with the freaks, the geeks, the weirdos; that he made it okay for us all to be those people who didn't fit, and who couldn't fit.
It’s usually some warped remix version that plays at the studio I work out at, but then, hey, aren't we all some warped remix version of ourselves when we work out?
Prince’s latest album was released via Jay Z’s music streaming site Tidal, because Prince has changed his mind about the internet just being a fad that was about to die. Prince changes his mind often enough, so there are no surprises there. The fact that he’s once again let his latest producer on to share credit isn’t surprising either, given that Joshua Welton worked on last year’s double album Art Office Age/Plectrum Electrum. HitnRun is very different from last year’s offerings though, and sounds a whole lot more confused - at least, at the initial few times it’s heard. Clocking in at under 40 minutes, it’s a strange beast - not great, but with enough in it to stop me from saying it’s bad.
It’s not secret that I love Nashville. Hell, it seems to me like the half the SF/F community does too: it’s a country epic fantasy.
What makes Nashville such a great show isn’t the fast paced storylines or the addictive, soap opera style cliffhangers, intense relationships or the glamorous cast with gorgeous clothes and fantastic hair, or even the music itself. What makes it great is that it is essentially about two complex, intriguing, ambitious women, their careers and their relationship with their art.
Okay, I admit - there were some truly abysmal covers in that list. That Sugababes action… yeah, I have to make up for that. So this time, here are some really great covers of genuinely good songs.
Lake Street Dive - "Faith"
George Michael’s biggest hit from his 1987 debut solo album Faith was the titular song, "Faith". With it’s Bo Diddley beat and George in the peak of his post-Wham bad boy image, "Faith" isn’t a song you’d ever forget. It also isn't a song you could do justice to easily - so why try to do it George’s way at all?
Giorgio Moroder ft. Britney Spears - "Tom's Diner" (Craig Vanity / Dimitri Vegas / Martin Garrix Remix) (2015)
Recently, the editor of this website sent me a link to a strange thing - the Britney Spears cover version of Suzanne Vega’s "Tom’s Diner". It was so bad, it was good. Well, no - it wasn’t good but it was catchy. It sent me into a hopeless downward spiral of terrible covers that I hadn’t heard in years and so of course, I must now put you through the same pain.
Say hi to our newest contributor - Becky Chambers! Becky's Extended Memory column involves her reviewing all those wonderful (we hope) classic PC games, and she's kicked off by returning to her very first game - Beyond Dark Castle.
New short stories are coming from William Curnow, Jennifer Moore, David W Pomerico, Marie Vibbert, Michal Wojcik, Olivia Wood and JY Yang.
Meanwhile, on the rest of the internet...
The study examined in detail the yearly top 30 Billboard songs from 1960 to 2013 – a total of 1,583 – and found a steep increase in `advertainment’ or the use of product placement, branding and name dropping among the most popular music in the nation.
[The study] found a total of 1,544 product references in the five decades of songs he analyzed with more than half occurring between 2000 and 2010. The study also showed a direct link between product placement and brand awareness. For example, after the 2002 Busta Rhymes hit single `Pass the Courvoisier,’ sales of the cognac jumped 10 to 20 percent that year.
Movies have already 'sold out' to product placement, music doesn't seem to be far behind... how long until some far-sighted marketer starts flogging products through literature?
I’m a big fan of television show soundtracks.
Not scores - I find those fairly boring, personally - but I love a well soundtracked TV show and find that it adds an excellent layer to the narrative. There are many, many TV shows with fantastic soundtracks - here are two that stand out in my TV-watching experience over the last few years. Well, and I may mention a third - although I don’t mind admitting that it is a bit of a sneaky indulgence that probably just deserves its own post.
This British show started off with some of the best, most fun episodes I’d seen on TV in a while. The first series was just 6 episodes and that was the worst thing about it - that there just wasn’t enough of it. The show did go on for another few seasons, but let’s never, ever even mention 4 and 5, ‘kay?
So what happens when a group of delinquents in South London who are just starting community service for various crimes are hit by a freak electrical storm and gain strange powers? Do you really think they’ll become superheroes? They’re not ‘good’ people - they’re all here because they’ve done something wrong, so who is to say they’ll then use their powers for good? And, anyway, haven’t we had enough of using your powers for good? And I don’t mean in the super-villain sense, just in the "oh shit, but how can I use what I’ve got to fix my life" sense. You know, ordinary petty criminals with selfish desires - they’re just like you and me, really.
Ade Spink previously directed us to five songs (some ... barely qualifying as such) with bad science. This time he returns with science even more dubious - five songs all about time travel! Did he miss a classic? Let him know at @AdeSpink.
Did Doc and Marty McFly inadvertently make 2015 a landmark year in time travel culture, or did they somehow know back in 1985 that this was going to happen? Why not enjoy five time-traveller based songs while you unravel that paradox.
“What the MOOG SYNTHESISER opens up for the future of music is beyond dreams” reads the hyperbole on the sleeve for Moog Indigo from 1970. Perrey was the archetypical out-of time genius, a synthesiser pioneer who sequenced his music by hand, meticulously cutting tape into tiny fragments and splicing it back together.
"Passport To The Future" closes the Moog Indigo album, arguably the pinnacle of Perrey’s output. This particular track is a hopeful jaunty vision of what he saw music would eventually become; a clean electronic sound eschewing such prosaic concerns as bands and instruments. Thinking multi-dimensionally, maybe there exists a world where people took notice of this track, and now we all travel to work by jet pack in our gleaming silver cities?
When your editor says "Power Ballads!" and your mind doesn’t immediately start hearing Poison’s "Every Rose Has It’s Thorn", it means you may not have the same understanding of power ballads as everyone else. Hell, if you even heard Miley’s version of that track, you’d be okay - but if you didn’t, then you’d better explain just what you think power ballads are.
And by you, I mean me.
With that in mind, here are some songs that I consider power ballads. You may notice they are all big melodramatic numbers with power vocals and lyrics that are easy enough to remember. A solid chorus can take a power ballad a long way - even further if comes with a defiant rhythm that forces you to sit up and chair dance. Sometimes they go acoustic, sometimes they don’t. But there is always an element of great theatricality in them, sometimes verging on camp. (And they’re not all from the 80s.)