John O'Hara's Assembly (1961) is a collection of 26 short stories (including two novellas), all written during the summer of 1960. O'Hara is a genuinely fascinating figure in American literature: one of those quasi-commercial, quasi-literary best-selling giants that now seems, rather disappointingly, to be consigned to the second-hand shelf of history. Perhaps his two most famous works are his two earliest - Appointment in Samarra (1934) and BUtterfield 8 (1935), both of which were turned into film (the latter earning Elizabeth Taylor an Oscar for Best Actress in 1960). But O'Hara also wrote a dozen other novels and at least that many collections of short stories. He picked up the National Book Award for Ten North Frederick and was a regular columnist for Newsday and Colliers.
That said, O'Hara was also a bit of a grump. Perhaps most interestingly - and this is something shown in his stories over and over again - he was incredibly class-conscious. Although a promising student, the death of O'Hara's father left the young man unable to attend Yale. Whether intentionally or not, this disappointment is deeply embedded in his writing career: story after story about the noble 'haves' and their orbiting 'have-nots'. Like Fitzgerald, O'Hara had a knack - perhaps even an obsession - for describing the social elite: how they waft about, seemingly immune to the problems of lesser men and women. "O’Hara kept an unrelenting fist on the most trivial signs of social differentiation", says the New York Review of Books, and much of the pathos and the subtle drama of his stories comes from his descriptions of the daily life and micro-dramas of the 'four hundred', as well as their interactions with the middle-class rung right beneath him. Later in his career, and again based on his own experiences, O'Hara brought to life the parallels between the golden gods of the Old Rich and the new pantheon created by Hollywood.