If you’re even slightly interested in seeing Logan, you probably know that it’s getting rave reviews. So much so that for some people, it’s going to be tough for it to live up to the hype. So let me say right out of the gate that Logan isn’t a perfect movie. But it is a very good one, and a significant enough departure from previous instalments in the X-Men franchise that your enjoyment (or lack thereof) of the earlier movies probably isn’t a very good predictor of whether you’ll like this one. On the other hand, if you’re a fan of Westerns – and specifically the gritty, melancholy, washed-up-gunslinger-reluctantly-takes-on-one-more-job trope, this film is for you.
The most intriguing part of Judge Dredd’s origin isn’t the fictional character’s designer birth by DNA cloning, nor that he was based in part on a disciplinarian monk, nor even that when the strip first appeared in the second issue of 2000AD, the original creators had already quit. It’s that Dredd's embryonic form is found in an unpublished issue of different comic – one that was scandalously violent, allegedly dangerous, and deliciously subversive.
Imagine a world filled with fierce, fiery beings, hiding in our shadows, in our dreams, under our skins. Eavesdropping and exploring; savaging our bodies, saving our souls. They are monsters, saviours, victims, childhood friends.
These are the Djinn. And they are everywhere. On street corners, behind the wheel of a taxi, in the chorus, between the pages of books. Every language has a word for them. Every culture knows their traditions. Every religion, every history has them hiding in their dark places. There is no part of the world that does not know them.
They are the Djinn. They are among us.
The Djinn Falls in Love is out now! Over twenty amazing and new stories of djinn, from a global cast of talented writers.
Contributors include: Amal El-Mohtar, Catherine King, Claire North, E.J. Swift, Helene Wecker, Hermes (trans. Robin Moger), Jamal Mahjoub, James Smythe, J.Y. Yang, Kamila Shamsie, Kirsty Logan, K.J. Parker, Kuzhali Manickavel, Maria Dahvana Headley, Monica Byrne, Neil Gaiman, Nnedi Okorafor, Saad Hossain, Sami Shah, Sophia Al-Maria and Usman Malik.
Looking at some of last year's debuts, it is fun to see how they - with the help of some wild extrapolation - represent the evolution of three very different traditions of British fantasy. So, without further ado, let's gird our loins, say farewell to the small village that never really understood us, reluctantly accept the quest that only we can accomplish, and head off in pursuit of our destiny...
Sabaa Tahir's An Ember in the Ashes is, perhaps, the easiest of these three books to talk about, as it is such a perfect archetype of what it is: an all-star gathering of YA tropes.
We've got two protagonists - Laia and Elias. One's orphaned, one's estranged from their eeeeevil parent. Both have special missions, awkwardly-discovered Chosen Destiny Powers, and harrowing day-to-day lives, periodically punctuated by the need to make Difficult Decisions. Both are spectacularly attractive. Both have 'obvious' love interests (in natural conflict with their Undeniable and Powerful Attraction to one another). Both are born to - and assigned - roles that they don't want to play. Both crave, in order, Freedom, Understanding, Something Different, A World More Fair, and a bit of sexy cuddletimes.
The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week our featured publisher is Luna Press.
Could you tell us a bit about who you are and what you're doing?
Luna Press was born out of my love of reading. I grew up surrounded by books, mainly Fantasy and Science Fiction and owed much of my creativity and interests to other people's stories. Luna exists exactly for this purpose, to be a platform, to allow new voices to be heard and in turn inspire others.
We love a diverse approach to Fantasy and Science Fiction, which is why we give a lot of importance to art and non-fiction. We have organised art shows to go with our illustrated stories, and we encourage research on Fantasy and Science Fiction, especially with our annual call for papers.
Let me say first that you should all be extremely proud of me for making it this far before indulging myself with my favourite villain of all time, Al Swearengen. Come to think of it, Al isn’t just my favourite villain, he’s my favourite TV character of all time, period. So the fact that I made it through five Villains of the Month before scratching that itch shows remarkable restraint, don’t you think? Yes, thank you, I think so too.
We seem to need a name for a new branch of the science of Man, the Comparative Study of Ghost Stories. Neither sciology, from σκιά, nor idolology, from εἴδωλον, appears a very convenient term, and as the science is yet in its infancy, perhaps it may go unnamed, for the time, like a colt before it has won its maiden race. But, though nameless, the researches which I wish to introduce are by no means lacking in curious interest.
From the mediocrity of War-Gamers' World and One Against the Moon to the horror of Fimbulwinter and The Hidden Children, I read these things so you don't have to. But hey, there's good news as well! Mystery lovers will delight in 13 Minutes and Squeeze Play, and Robert E. Howard is here to restore my faith in fantasy fiction with "Shadows in the Moonlight".
Hugh Walker's War-Gamers' World (1975) is a disappointment. It is a set-up that we don't see so often any more, and, in fact, might be one of the first of its kind. Our protagonist is a gamer, and, in the opening chapters (paragraphs, even), he's sucked into his game world. No longer is he the master of fate - merely one of its pawns! He's seeing, first-hand, the carnage and chaos of his 'game'! He learns a valuable lesson about humanity, privilege and power!
Actually, none of that happens.
"Chicken Heart" first aired on Lights Out in on March 10, 1933.
The UK has a fantastic small press scene. To celebrate the people behind the imprints, and help out the writers that are looking to them for publication, we've asked a number of editors to share what they're working on - and what they're looking for. This week our guest is David Rix, from Eibonvale Press.
Could you tell us a bit about who you are and what you're doing?
Eibonvale Press has always been one of the more far-out presses working in the UK – and very much a cottage industry, with only one person running it and taking care of the design and editing. I am most interested in material that falls between genres, but essentially that covers everything from the fringes of horror through speculative fiction to more literary styles – always with a fantastical and ‘strange’ slant.