From tiny acorns... the growth of Giant Days

Giant Days

Most media artifacts come to the public fully formed, the creative process long since edited away or consigned to the rubbish bin. With comic books that process has typically been more open to the public. For starters, when following a long-running series over a number of years, you can see how characters and concepts grow and change in time. If the series has the same creative team you may also see how an artist’s style or a writer’s craft develops as they gain experience.

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Fiction: "Grave-Worms" by Molly Tanzer

Graveworms_final_clay_300dpi_jpgThe grey flannel suit might have looked masculine on the rack, or on another woman, but the close cut of the cloth, and the way the expensive fabric skimmed over the lines of her straight, slender figure was intensely, wholly feminine. If you saw her from behind, you might have thought she looked frail, or saint-like with her close-cropped hair—but when she turned, the determination that shone brightly from the grey eyes almost lost behind her long black lashes was anything but fragile.

Or innocent.

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2000AD: Why is Judge Dredd so damn good anyway?

Dredd

As 2000 AD reaches its landmark 2,000th issue, it seems like an appropriate time to look back at the weekly anthology’s greatest creation: Judge Joe Dredd.

First appearing in 1977 in the second prog of 2000 AD, created by John Wagner and Carlos Ezquerra, Dredd is a hard-line law enforcer in the dystopic future, dispensing justice in the enormous Mega-City One. The character has gone on to star in pretty much every subsequent issue of 2000 AD, spawned numerous spin-offs and two feature length films. So, 1,999 issues since he first appeared, just why is Judge Dredd so appealing?

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Weirdness Rodeo: Genre, Twitter, Pokémon, Dogs

Dawg
Sometimes you just want to see two dogs hanging out (Tumblr).

The Journal of Cultural Analytics is my new jam, combining two things I love, plus the wonderfully Quixotic concept of trying to quantify the abstract and squirmy. Ted Underwood's piece on "The Life Cycles of Genres" is everything good about cultural analytics. It tries to define the undefinable, goes for a wander, and shares some fascinating insights along the way.

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Box Brown's Tetris: The Games People Play

Tetris-for-blog_coverPublished by SelfMadeHero in October, Tetris: The Games People Play, is Box Brown's follow-up to his biography of wrestling and Hollywood legend, Andre the Giant. In his new graphic novel, Brown marries a philosophical view of humanity’s relationship to games with the true story of the rise in popularity and subsequent legal wrangling of the '80s sensation Tetris. Although artistically snappy and warm, the creator only pulls off this marriage with debatable success. Regardless, the story of Tetris is full of humour, warmth and surprise, even if it falls slightly short of the book's loftier aims.

I confess, I’m not much of a gamer; I’ve never spent hours curing patients in Theme Hospital or worked my thumbs to the bone for that perfect combo on Street Fighter, heck, I’ve never even had a phone with Snake on it. So when I heard about a graphic novel about the creation of Tetris, I wasn’t particularly excited. Tetris? That annoying game from the 80s with the stupid blocks that never go where they’re supposed to? Why would I want to read about that?

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Villain of the Month: Cersei Lannister

Cersei Lannister by Caspian WhistlerAll right, let’s get the ritual caveat out of the way: the Cersei Lannister we’re looking at today is the version from George R.R. Martin’s A Song of Ice and Fire, as opposed to HBO’s Game of Thrones. Admittedly, this distinction gets a little messy now that the show has overtaken the books. I’m going to shamelessly take advantage of that by using the show as a sort of bonus reel of material, but in cases where the two sources diverge, the books will always trump. Clear? Good. On with the fun.

And Cersei is loads of fun – if you consider murder, treason, incest, and child-maiming fun. Yes indeed, Cersei’s list of crimes is long, and she shows no sign of slowing down. But for all the ghastliness of her deeds, she’s one of the subtlest, most textured, and in many ways the most believable villains I’ve come across. Not because of what she does, but why she does it.

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Justin Landon on "Hamilton and Steph"

Hamilton by Jess Taylor

Hamilton has transcended musical theater, illuminating issues of inequality and success in new ways. Stephen Curry has transcended athletics, redefining what it means to be the best. This duo came to a head in February. Hamilton made its television debut during the Grammys, and Stephen Curry dazzled in Toronto at the National Basketball Association (NBA) All-Star Game. In these moments, we had front row seats (metaphorically, I mean who can afford those?) not just to history, but to an apotheosis—an apotheosis of genius, challenged by the bright lights of cynicism, triumphing. Greatness, in the form of Hamilton and Curry, is looking into the face of a hyper-connected, hyper-critical society and surviving.

How lucky we are to be alive right now.

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