Science Fiction Feed

"No Man's Sky" is This Man's Sky

No Man's Sky

There’s something about the idea of walking somewhere that no one else ever has which connects to why I fell in love with sci-fi as a kid. The idea of walking alien soil, taking in bizarre vegetation and unknown, inexplicable wildlife appealed to me far more than the epic space battles or the jetpack and robot futurescapes. That moment of arrival; that sense of what have you got for me today, universe? Exploration for its own sake is at the heart of my sci-fi.

So No Man’s Sky is at the heart of my sci-fi.

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Readers of Gor: Outlaw of Gor

Outlaw of Gor

In which Silvia Moreno-Garcia of Ka-Na-Da and Molly Tanzer of Ko-Lo-Ra-Do discuss Silvia's re-read and Molly's first read of the first four of John Norman's famous (notorious?) Gor series.

Silvia: Tal, Molly Tanzer of Ko-Lo-Ra-Do. Well, when last we saw our hero Tarl Cabot (what kind of name is that? I still can’t say his damn name) he had returned to Earth. But not for long! Soon he’s back in the world of Gor, where men are manly men and women are very pretty but like not threatening, like you totally could ask that chick out and she’d give you her phone number instead the number of a local deli shop. It’s obvious something has gone terribly wrong in Gor and now Tarl is a, gasp, Outlaw of Gor!

Okay, so I think part of the problem with this book on a technical level is that the first person point of view is just super annoying. Tarl is supposed to be writing all this shit down and it’s like for fuck’s sake, I’m bored. I’m so bored. Write funner, or something. Bad narrator.  

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Sophie Mayer on Gwyneth Jones’ Bold as Love (2001)

Bold As Love

At the end of this year, three hundred years of history would be undone. The Act of Union would be dissolved… In London the law and order crisis was going to keep Parliament from its summer recess; that, and the struggle to make the process of dissolution look organised. Meanwhile, the Counterculturals had gathered in Hyde Park, at Glastonbury, at all the traditional sites around the country, and, notably, here at Reading. It was supposed to be a peaceful two-week rock festival. The media people were hoping for trouble, and doing their best to whip it up… But Fiorinda didn’t care about any of that. She had come to Reading following a rumour, on a mission half of longing, half of vengeance.

Gwyneth Jones’ 2002 Arthur C. Clarke Award-winning novel Bold as Love opens some time around now or the near future, in Dissolution Summer, as England prepares to go it alone, dismissed by the wealthy Celtic nations. It might be fifteen years old, but Bold as Love is the most uncanny and necessary read for exactly this moment, as we face up to the latent divide in British politics that the EU referendum has brought to the surface. In Jones’ England, crisis is the new normal. Climate change and economic collapse are causing riots across Europe, and England will soon be further isolated by a devastating internet virus, and face the arrival of hundreds of thousands of refugees crossing the North Sea, D-Day in reverse.

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The Manhattan Projects; or, ‘These Ain’t Your Momma’s Physicists’

Manhattan_projects_4The Manhattan Project was a now legendary U.S. military programme responsible for the creation of the atom bomb, operating between 1939 and 1946. The scientists that worked for the project have become legendary figures in their own right; Robert Oppenheimer, Richard Feynman, Enrico Fermi to name just a few. Regardless of the moral implications of what came out of it, the Manhattan Project was an undeniably impressive feat of science and a major step forward in the human understanding of physics.

Jonathan Hickman, Nick Pitarra and Jordie Bellaire take this incredible human achievement and add in murder, cults, corruption, sex, drugs and the most kick-ass Albert Einstein you’re ever like to see. Ladies and gentlemen, welcome to The Manhattan Projects.

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Readers of Gor: Tarnsman of Gor

GOR - Boris Vallejo

In which Silvia Moreno-Garcia of Ka-Na-Da and Molly Tanzer of Ko-Lo-Ra-Do discuss Silvia's re-read and Molly's first read of John Norman's famous (notorious?) Tarnsman of Gor. 

Tarnsman_of_gor_vallejo_coverSilvia: Tal, Molly Tanzer of Ko-lo-ra-doh. I guess before we get into this review of both the first Gor book and the first Gor movie, I’d like to ask how you discovered these things even existed.

Molly: Tal, Silvia Moreno-Garcia of Ka-Na-Da. May your tarn never get lice.

I actually heard about Gor from John C. Wright, that now-notorious Puppy-supporter and extreme moral panic-monger of the SFF community. In a rant about the SyFy channel’s pledge to be more inclusive by having more GLBT characters on their shows, Wright mentioned Gor derisively:

“I am hoping, of course, that future shows will also portray sadomasochism and bondage in a positive light---we are all looking forward to FLASH GORDON'S TRIP TO GOR, I hope.”

Well, given Wright’s own (possibly former? Who can say) interest in S&M, or at least spanking teenage girls, I had to google Gor - if it was so extreme as to offend him, what could it be? I remember thinking it actually seemed strange I’d never heard of the series if it was so saucy. But the back cover copy of the first one didn’t seem particularly salacious (or LGBT-friendly?), so I sort of forgot about it, because it wasn’t a rabbit hole I felt like going down that day. Years later I learned they were famous for being about sexy slave girls or something, and became intrigued.

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Breaking the Glass Slipper on "Writing Characters of the Opposite Gender"

Assassin's QuestAs humans living in the twenty-first century, I’d like to think we’ve come a long way towards achieving equality between the sexes and rejecting established notions of gender. But is it far enough? After all, we’re still having these debates, highlighting prejudice, challenging ourselves to ‘think outside the box’. If gender equality truly existed, there’d be no need to stage this conversation.

In fiction, men write women and women write men on a regular basis, some more or less successfully. Both genders ought to be able to relate to each other at the very least on an intuitive level without resorting to dangerous and unhealthy stereotypes. But, as Emma Newman recently discussed, there are still male readers who are hesitant to pick up a book authored by a woman, or featuring a female protagonist.

Why is that? Personally, I’ve never had a problem reading a book written from a male perspective; in fact the majority of epic fantasy I read growing up featured male protagonists. Why then are some readers unable or unwilling to relate to women?

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Breaking the Glass Slipper on "15 of the Amazing Women Writing Genre Fiction"

Copper PromiseWhen Breaking the Glass Slipper was asked to identify some of the issues facing female writers in genre, the very first thing that each of us replied was ‘discoverability’.

Why is it that, with the exception of long-established authors, books by women do not seem to be as widely publicised as those authored by men? Our first episode considers ‘best of’ lists, which certainly play a part in discoverability. They also remain the clearest example of inequality. Why, we wondered, do these lists not feature more than the token woman? What material are the makers of such lists drawing from? Where exactly is the problem?

Well, admitting that there is a problem for starters.

Ignorance is as bad as outright sexism when it comes to the struggle facing female writers. Discoverability is a huge issue. Our sales and therefore careers depend on our ability to reach as many readers as possible. When a great swathe of the population is closed off to us, it isn’t only our finances that suffer; it’s genre fiction too. Female voices are desperately needed if SFF is both to flourish and to retain its longstanding distinction as the genre that challenges the status quo.

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