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Rogue One: Darth Vader is a Scary Dude

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There are two things I need you to understand here.

The first is there are many varieties of Star Wars fans, and I’m of the sort whose love for the whole thing is rooted solely to the original trilogy. I never got a proper introduction to the Expanded Universe, I haven’t read any of the new books or comics, and I remember the prequels with the clarity of a fever dream. I’ve seen maybe three episodes of The Clone Wars, which I would’ve adored as a kid but didn’t grab me as an adult. I’ve played the Old Republic games, and enjoyed them very much, but they served as something small and ancillary to the main event: The Millennium Falcon, the Battle of Hoth, philosophy lessons with Old Ben. The small amount of Star Wars tie-in stuff I’ve dabbled in was a good time. The original trilogy — and now, The Force Awakens, which my heart welcomed in with ease — I hold on a different level. That’s hallowed legend to me. That’s my canon.

That’s the first thing. The second is I’m about to throw down some Rogue One spoilers. You have been warned.

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Pornokitsch's Absolute and Definitive Guide To The Best of Everything in 2016

Dark Souls 3

There are a lot of 'Best of 2016' lists coming out now, but they're all flawed and wrong because they don't include the things we wanted them to include. More importantly, they weren't written by us.

As our gift to the internet - and therefore the world - we've put together the Absolute and Definite Guide to the Best of Everything. It is conclusive and final, and should be used as a reference to settle all arguments.

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Rogue One: A Star Wars Story - Reviewed

Rogue One

Eggy. Rogue One (2016; directed Gareth Edwards)

[Warning: this review contains traces of eggs. Also many spoilers]

Plenty of movies nowadays contain easter eggs, something particularly true of movies that are part of a larger franchise or sequence. These nods and winks to the knowing audience members are, at root, a reflection of the way DVD, TV and digital copies of movies have changed the viewing experience. To see the original 1977 Star Wars seven times would require schlepping out to your local cinema every night for a week. A fan can watch 2015’s Force Awakens seven times over the weekend without ever leaving her couch. Naturally, this has resulted in a change in the logic of movie-making. Directors, designers and SFX teams now craft their visual texts full aware that fans will watch them over and over, sifting the image for every little nugget.

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Arrival - of what, exactly?

Arrival

The imaginary must be imagined, accurately and with scrupulous consistency. A fantastic setting requires vivid and specific description; while characters may lose touch with their reality, the storyteller can’t.

Ursula Le Guin, review of The Buried Giant by Kazuo Ishiguro

Is there any more point to science fiction?

The history of a genre is driven in part by the dynamic between convention and invention; science fiction, though, seems to have an extra feature. Its USP is meant to be its inventiveness, assumed to be found in a given story’s idea or set of ideas. Fans believe that this is proof of the genre’s vitality as compared to others. Critics believe it’s an excuse for what they see as science fiction’s otherwise more general conventionality.

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Fantasy needs more parasites

(C) Christopher Taylor-DaviesIn 1998, Spanish neurologist Juan Gomez-Alonso caused a flurry of bad science journalism by speculating in an academic journal that vampirism originated as a fictional extrapolation of human rabies. The traits were all there. Hypersensitivity to strong stimuli, like bright lights, garlic, and mirrors. Insomnia. Hypersexuality. A tendency to bite, potentially killing their victims or passing on the condition. Furthermore, the peak of vampire fascination in Europe came soon after a well-documented epidemic of rabies in Hungary.

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2000AD: Why is Judge Dredd so damn good anyway?

Dredd

As 2000 AD reaches its landmark 2,000th issue, it seems like an appropriate time to look back at the weekly anthology’s greatest creation: Judge Joe Dredd.

First appearing in 1977 in the second prog of 2000 AD, created by John Wagner and Carlos Ezquerra, Dredd is a hard-line law enforcer in the dystopic future, dispensing justice in the enormous Mega-City One. The character has gone on to star in pretty much every subsequent issue of 2000 AD, spawned numerous spin-offs and two feature length films. So, 1,999 issues since he first appeared, just why is Judge Dredd so appealing?

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Weirdness Rodeo: Genre, Twitter, Pokémon, Dogs

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Sometimes you just want to see two dogs hanging out (Tumblr).

The Journal of Cultural Analytics is my new jam, combining two things I love, plus the wonderfully Quixotic concept of trying to quantify the abstract and squirmy. Ted Underwood's piece on "The Life Cycles of Genres" is everything good about cultural analytics. It tries to define the undefinable, goes for a wander, and shares some fascinating insights along the way.

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"No Man's Sky" is This Man's Sky

No Man's Sky

There’s something about the idea of walking somewhere that no one else ever has which connects to why I fell in love with sci-fi as a kid. The idea of walking alien soil, taking in bizarre vegetation and unknown, inexplicable wildlife appealed to me far more than the epic space battles or the jetpack and robot futurescapes. That moment of arrival; that sense of what have you got for me today, universe? Exploration for its own sake is at the heart of my sci-fi.

So No Man’s Sky is at the heart of my sci-fi.

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