We are excited to watch this because...
Minal: I like psychic powers and hot, powerful women of color. I really like watching or reading stuff without too much information, so all I know is that it's some sort of speculative fiction show that is probably science fiction but possibly also fantasy (magic?) and that it has some diversity to it, i.e. characters all over the world. As an American writer who has been fairly preoccupied with questions of diversity, multiculturalism, and globalization of culture for 20+ years, and also as a lover of SFF, I'm curious to see how they do it. Will the story be engaging? Will the characters ring true or will they be multiculti shells that are like demographic tickboxes (like ‘Quantico’ - here's the hot brown babe, here’s the gay dude, here’s the token straight white guy for all the “normal” viewers out there).
Kuzhali: I’m actually so excited for this I can’t even tell you. Even though I’ve been threatened by a certain acquaintance with “the Ganesha clip”, even though I’ve read waaaay too much about how the show is so great, how it is not so great, even though I don’t really know what 'sensate', 'limbic' or 'resonance' really mean, I don’t care, EXCITED AS FUCK TO SEE THIS OMG
Cast: Omar Gooding, Russell Hornsby, Jason Matthew Smith
Original Broadcaster: ESPN
Awards: American Film Institute (2003), GLAAD
For fans of: Friday Night Lights, Sports Night, Oz
For a single brilliant season, ESPN channeled their intimate knowledge of the sports world into a dramatic series about football. Playmakers followed the fictional Cougars - part of an unnamed football league that was in-no-way-the-NFL-wink-wink - through a particularly tumultuous season.
"Why are there so many cult TV reboots?!", via the Washington Post:
But in TV, a land where every meager success is formulized, the reboots are seen as cheap bets, with often low-risk premises, washed-up stars and built-in cores of superfans.
For networks struggling to hold onto cord-cutters, and streaming upstarts pushing to prove themselves, the ‘90s reboots offer another prize: The viewers who grew up on these shows are now, a few decades later, making the decisions on cable budgets of their own.
The article notes that there are 400 original scripted series set to air this year. Any reboot - even a cult one - starts with an audience of greater than zero. Which is already a slim lead in the race for survival. (Although for many, that still isn't enough.)
Is that your brand extending, or are you just happy to see me?
Harlequin - who have always been one of the more innovative publishers (probably because they have one of the strongest brands) - are extending into... wine. I mean, why not? Even as a stunt, this is good PR.
The publisher is partnering with Vintage Wine Estates to create Vintages by Harlequin, three wines now available for $14.95 a pop on Amazon. There’s a chardonnay (“Substitute for Love”), a cabernet sauvignon (“Pardon My Body”), and red wine blend (“Wild at Heart”). “Harlequin has a deep history of creating experiences for women, and we are thrilled to bring this new opportunity to market,” Harlequin CEO and publisher Craig Swinwood said in a statement.
Ok, almost definitely a PR stunt. But I like that Harlequin sees their role - as a publisher - as 'creating experiences for women'. That's bold language, and one that opens them up, and credibly, to making more than books.
There have been a lot of Star Trek novels over the years, from a number of publishers, dealing with every iteration of the franchise (yes, even the animated series) as well as many that fit no existing bracket.
Among the various pieces of thinly-disguised fanfic, the (surprisingly few) direct sequels to TV episodes, the attempts to do hard sci-fi that don’t quite work, and the inevitable attempts at inter-genre crossovers, there are some that I would call ‘noteworthy’ for one reason or another. Note that this is not always synonymous with ‘good’. Picking five from all of the possible options (even had I read them all) would probably be impossible, so I’m going to restrict myself to the Original Series novel range published by Pocket Books from 1979 to around 1990, at which point I stopped reading them as religiously as I had previously.
Listed in no particular order:
It’s not secret that I love Nashville. Hell, it seems to me like the half the SF/F community does too: it’s a fantastic country epic fantasy.
What makes Nashville such a great show isn’t the fast paced storylines or the addictive, soap opera style cliffhangers, intense relationships or the glamorous cast with gorgeous clothes and fantastic hair, or even the music itself. What makes it great is that it is essentially about two complex, intriguing, ambitious women, their careers and their relationship with their art.
"Postcard from Mexico"
Created by Callie Khouri, who is perhaps best known for having written the screenplay for Thelma & Louise, Nashville is very much a show about two adult women whose main conflict isn't with each other (no catfights here, just well timed snark), but with those who stand in the way of their careers and their independence. Complete control over their lives, that’s all they want. Why must it be so difficult? Well, because that makes for good songs along the way.
This week's guest is Mary Fan, co-editor of the brand new Brave New Girls. The anthology collects science fiction stories featuring "brainy young women who use their smarts to save the day". That is to say: it not only brings readers a whole pack of awesome role models, but they're also clever stories featuring brains over brawn.
All proceeds from Brave New Girls are being donated to a scholarship fund set up by the Society of Women Engineers, so buy with confidence - you're not just reading about bright futures, you're helping make them. With no further ado, we'll hand over to Mary...
It’s no secret that there aren’t a lot of women in science and tech, both in the real world and in fiction. Which is a shame, really. There’s a bit of a chicken-and-egg problem around this issue—are techy women not depicted in sci-fi because they’re rare in real life, or are they rare in real life because girls don’t see themselves depicted in those roles and therefore don’t pursue those careers? The fact is, pop culture is a powerful influencer, especially on girls and teenagers. And the scary thing is, your career is dictated by decisions you make as an impressionable kid (think about it… the college major you pick at age 19 determines whether or not you’ll become a research scientist).
While there are plenty of ladies in sci-fi, they’re usually not put in the science and tech-based roles. The scientists, hackers, engineers, etc. are usually guys. But every so often, you’ll stumble upon a character that makes you go, “Yes! More of her, please!” Here are five brainy sci-fi ladies who use their smarts to save the day:
Today is officially Daredevil Day - yes, officially. The UN has issued a… thing ('edict'? doesn't sound very UNish, does it? And 'proclamation' sounds like something Regina would issue in Once Upon A Time). Let's start over.
So the UN has declared Friday 10th April 2015 to be Daredevil Day in honour of the launch of the first Marvel Netflix series.
And, while obviously you're all off watching all thirteen episodes back to back, when you're done, here's a subject for you to consider. After Daredevil comes Jessica Jones, then Luke Cage, then Iron Fist before they all get together to be The Defenders. But what then?
Who else should Marvel Studios bring into the Netflix fold to be part of the more street level part of the Marvel Cinematic Universe?
Here are five (well, technically seven) suggestions...
Cloak and Dagger
Let's just get the fact that the name/concept connection is outrageously forced out of the way first so we can focus on how great the pairing was from its very first appearance. Tammy and Tyrone are runaway teenagers who made it to New York only to fall victim to a mob plan to test new designer drugs on the youth that have fallen through the cracks. Most of the victims die, but Tammy and Tyrone emerge from the tests changed.
Tammy's light daggers are formidable weapons, and also the only thing able to keep the darkness that Tyrone is able to channel 'fed' - unless he lets it consume life energy. His darkness also allows him to teleport and to consign enemies to a dark dimension. Their origin is one of the grimmest in the Marvel canon, and even allows for some typical Marvel angst - Tyrone is tortured by the fact that Tammy is forced to stay with him to prevent his darkness feeding on innocents, even though she could, in theory, return to a normal life.
Appearing initially in Peter Parker: The Spectacular Spider-Man, Cloak and Dagger had their own limited series, a well-regarded meeting with the New Mutants, and went on to an unfortunately sporadic career in the Marvel U. An attempt to retcon their origin to make them mutants when mutants were The Big Thing is probably, hopefully gone by the wayside, and it's past time that they got the kind of attention that a TV series would give them.