Stark says: “Obliged.”
Monte Hellman’s Westerns are a strange breed. For one thing, it’s hard to talk about one without talking about the other. The Shooting and Ride in the Whirlwind were shot back to back, after the film’s financier reckoned that, if you’re making one film, why the hell not make two? And while both are considered to be prime examples of revisionist, acid Westerns, they’re also very different films. As a Western, The Shooting, written by Carole Eastman, is female-led, abstract, uncompromising and hallucinogenic. Ride in the Whirlwind, on the other hand, is defiantly realistic; more conventional and plot-driven. It was also written, produced and acted in by Jack Nicholson.