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Stark Reviews: West & Soda (1965)

West and Soda

Stark says: “If he’s dead, why is he still smoking?”

I first came across West & Soda a few months back, after taking a tumble into a dusty corner of the Internet. As soon as I saw the words “1960s Italian animated parody Western” I just knew I had to get me a copy of the DVD.

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Stark Reviews: Grim Prairie Tales (1990)

  Grim_Prairie_Tal_538428f21548fStark says: I got a story that’ll stick to you like an eyeball to a cactus needle

So what if someone told you there was a film where Wormtongue and Thulsa Doom sat around a campfire, trying to scare the bejesus out of each other? Well, that’s basically what Grim Prairie Tales is, and I couldn’t pass it by either. Plus, I’m never one to resist a title that contains a pun, now, am I…

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Review Round-up: Scruples, Sidekick, Outlaw Marshal

Sidekick latestAdeline Radloff's Sidekick (2010) is about, well, a sidekick. Katie Holmes (no, not that one - a joke that's just barely on acceptable side of annoying) is a teen adoptee, living with her foster mom and and Finn. Finn is Bruce Wayne. Mom is Alfred. Katie is Robin.

There's a little more complexity to it (there's a more Alfred-y Alfred, but he died somewhere in the past, for example), but that's the book in a nutshell. Finn, unlike Batman, has actual superpowers as well - he can fuss around with time, although there are various limitations and side effects that are introduced as the book goes on. Katie is remarkable because, besides Finn, she's the only person that isn't frozen solid when Finn does his time-travel mojo. Which means she can help Finn move stuff around, save lives, fight evil, remember to eat a sandwich, and, you know, be a sidekick.

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Stark Reviews: Westworld (1973)

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Stark says: Boy have we got a vacation for you! Where nothing can possibly go worng!

Let’s see now, we’ve done cowboys and dinosaurs, cowboys and Joan Crawford, cowboys and foxes…. What’s missing? Oh yeah, COWBOYS vs ROBOTS, otherwise known as Westworld.

Now, because Hollywood can’t leave any damn thing alone ever,* Westworld is being currently being re-booted into a TV series, starring Anthony Hopkins and Evan Rachel Wood. I’ll keep my pistol in my holster until I’ve actually seen it, but in the meantime, let’s cast a beady eye over the original.

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Review Round-up: Knitters, Pirates, Cops, Princesses and Priests

TheBig SinA quick-fire round-up of eight recent holiday reads - including some vintage mysteries, a brand new fantasy, a YA that'll have you in stitches (fnar) and a saucy pirate romance. Most of these were recommendations via Twitter, so thank you all for sending them my way!

Prologue Books are one of my go-to publishers - whomever is putting together this list of out-of-print fiction is doing a cracking job. (Also, they use Amazon well, so I can find their books by searching Prologue Crime or Prologue Western, which is really helpful.) Anyway, that baseline of praise established... Jack Webb's The Big Sin (1952) might be one of my favourites so far. Webb's story ticks all the right narrative boxes: a cop versus a Big City machine, a man framed for murder, criminals being forced to choose between doing 'bad' and doing 'evil', the works. And, beneath it all, he underpins everything with a discussion of faith.

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Stark Reviews: Robin Hood (1973)

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Stark says: “Listen Friar, you’re mighty preachy, and you gonna preach your neck right into a hangman’s noose.”

Sounds like a Western, doesn’t it? What if I told you there was also a corrupt Sheriff, a ruthless Land Boss, a shooting contest, a root-tootin’ barn dance, a pair of outlaws and a stagecoach heist? No, it ain’t The Quick and the Dead. It’s Disney’s Robin Hood and for this month’s review I’m going to forgo my usual Good-Bad-and-Ugly rating and bust a gut trying to convince y’all that this film is actually a Western.

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The Music of Nashville: TV's Only Country Fantasy Epic

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It’s not secret that I love Nashville. Hell, it seems to me like the half the SF/F community does too: it’s a country epic fantasy.

What makes Nashville such a great show isn’t the fast paced storylines or the addictive, soap opera style cliffhangers, intense relationships or the glamorous cast with gorgeous clothes and fantastic hair, or even the music itself. What makes it great is that it is essentially about two complex, intriguing, ambitious women, their careers and their relationship with their art. 

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The Western isn't dead...

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The Western isn’t dead. It just has a problem with logistics.

Go into your local bookshop and look for the Western section. Chances are, there isn’t one. So where do Westerns end up? Sometimes they sit confusedly with Science Fiction or Fantasy. Sometimes, they’re lumped in with Crime. Often, they’re spread through general Fiction. Interestingly, Westerns are almost always scattered: the only place I’ve ever encountered a dedicated Western section is in my local library.

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John Wordsworth on "How the Zombie Ate the Cowboy"

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People have been predicting the comeback of the Western for years.

There have been some notable hits on both the big and small screen: Django Unchained, HBO's Deadwood, and the True Grit remake, among others. While the pulp Western novel is buried in a dusty hilltop cemetery in Wyoming, there have been some excellent more literary takes on the genre, including Philipp Meyer's The Son and, going further back, Larry McMurtry's Lonesome Dove series. You also can't ignore the impact of the massively popular game Red Dead Redemption. But somehow this trickle of new Westerns has never become anything more than that.

My theory is that, in fact, the Western is back ... but as the Zombie genre. (ZomGen? Zomre?)

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