Young Adult Feed

B.T. Narro's Kin of Kings (2015)

Kin of KingsBasen is the nephew of the dead king of Tenred, who was (whilst alive) the most hated man in the world. Despite their shared surname, however, Basen is firmly on team Good. He and his father were exiled before the last war, and have spent their last few years scrounging out a living in the (enemy) kingdom of Kyrro. No home to go to; no future ahead of them.

Basen, however, has some tricks up his sleeve.

Trained as both a swordsman and a mage (the perks of a royal upbringing), when the famed Academy opens up new students, Basen sees this as an opportunity. Although his father is insistent that Basen try out as a warrior, Basen sells the family sword and buys a wand instead. Despite the wand-seller giving him a faulty article, Basen still astounds the examiners and gets accepted.

Basen also makes the first of his many new friends - the healer Alabell. Alabell and Basen feel an immediate frisson, and bond over Alabell's Academy stories, Basen's sordid family history and the fact that Alabell too is related to royalty.

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K.M. Carroll's Malevolent (2015)

9k="I met Mal the day he tried to kill my boyfriend."

And with that, Malevolent begins.

The 'I' is Libby. She's a high school senior, but not a very active one. Stricken with 'Valley Fever', she's virtually bedridden: even on the good days, she's worried about ranging too far - her mysterious ailment could strike at any time. 

Malevolent opens on one of those good days. She's feeling fairly strong, plus, the beekeepers are in town. Libby's family has an almond farm. The annual visit of the beekeepers and their pollinating bug-friends is not only important to the farm's success, but it is also a lot of fun to watch.

This year is especially fun, as there's an enigmatic stranger in the mix. This newcomer works with unnatural speed, and has a connection with his bees that seems almost magical. His strength, speed and pallor all combine to make Libby think - jokingly - that this newcomer, Mal, is a vampire. (awkward cough)

 

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Alessandra Clarke's Rider's Revenge (2015)

Rider's RevengeAnd we're off! I'm participating in this year's SPFBO - a competition that pits 300(!) self-published fantasy novels against one another in search of ULTIMATE GLORY. This site is one of the 10 sites reviewing and judging the books.

My task is to sift through 30 of the entries. I've already cut 24 of the 30 (details on those books here). This week, I'll be reviewing my final six, using a version of our DGLA criteria. Only one will go on the final round!

<cue dramatic intro music>

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K'lrsa is a Rider of the White Horse Tribe. She's young, but her skills on horseback and in combat - as well as her dauntless courage - have made her a fully fledged warrior of her tribe. Her father, the leader of the tribe, is immensely proud, even as her mother wishes she would settle down.

There are minor dramas, certainly - an overly-ardent admirer, disconcerting rumours involving trade routes - but K'lrsa loves her home and her family, even as she seeks further opportunities to prove herself... and all of this is swept away when disaster strikes.

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The Young Elites by Marie Lu

The Young ElitesAfter years of chewing over it and thousands of words of inconclusive blog posts, I still have very little idea where the division is between 'YA' fantasy and 'epic' fantasy (interesting -  heated - discussion on this very point over at r/fantasy).

I mean, physically, it is generally around 15-20 feet - depending on the size of the bookstore. But as overarching, sub-genre distinctive themes? I got nothing. 

Marie Lu's The Young Elites (2014) further muddies these opaque waters. The Young Elites is also a unique sort of muddle, as it contains both very-much-YA and very-much-epic-fantasy tropes within the same book. Rather than blurring the two together, it happily plucks from both extremes.

Adelina is a malfetto, one of the scarred survivors of a great plague that swept through the land. Although generally despised as 'cursed', some malfettos also exhibit magical powers - these are called 'Young Elites'. (Why one term is cod-Italian and the other cod-Ralph-Lauren-catalogue, I have no idea.) These Young Elites are sought after by both the Inquisition (who wish to kill them) and the Dagger Society (who wish to recruit them). Adelina, as you might expect, turns out to be a rather powerful Young Elite - one that's greatly desired, in every sense, by both sides. 

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Pierce Brown - Morning Star UK Tour

Red Rising

The puppy-curling, ice-bucketing, Goodreads winning (and winning) book-writin' sensation that is Pierce Brown is coming to the UK for the first time.

The author of Red Rising, Golden Son and Morning Star will be at:

If you've not read the (recently-concluded) series, they're like rolling The Hunger Games and Starship Troopers into a big ball, dousing the whole thing in cocaine and then setting it on fire while launching it from a cannon. That is to say, "good clean fun".


Review Round-up: Detectives, Aliens and a Succubus

The Yellow PhantomDid you know the goodie bag at the Oscars is worth something like $200,000?!

This goodie bag of belated reviews isn't. But it does feature detective stories by Margaret Sutton and Elliott Hall, as well as Richelle Mead's Georgina Kincaid and Raymond Jones' The Alien. So that's something!

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Margaret Sutton's The Yellow Phantom (1932)

Sutton's Judy Bolton was a 'girl detective' with the misfortune to be published at the same time as Nancy Drew. That said, Bolton's adventures ran for 38 volumes and have accumulated a certain fandom of their own. One critical difference is a sense of growth (and canonicity, I suppose). Unlike the freewheeling but ageless Drew, Bolton grows up, falls in love, gets married and tackles more of 'life'. 

Still, The Yellow Phantom is still - well - very much an artefact of its time. Judy and her friends travel to New York City where they meet a mysterious and handsome writer of handsome and mysterious books.

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Review Round-up: Knitters, Pirates, Cops, Princesses and Priests

TheBig SinA quick-fire round-up of eight recent holiday reads - including some vintage mysteries, a brand new fantasy, a YA that'll have you in stitches (fnar) and a saucy pirate romance. Most of these were recommendations via Twitter, so thank you all for sending them my way!

Prologue Books are one of my go-to publishers - whomever is putting together this list of out-of-print fiction is doing a cracking job. (Also, they use Amazon well, so I can find their books by searching Prologue Crime or Prologue Western, which is really helpful.) Anyway, that baseline of praise established... Jack Webb's The Big Sin (1952) might be one of my favourites so far. Webb's story ticks all the right narrative boxes: a cop versus a Big City machine, a man framed for murder, criminals being forced to choose between doing 'bad' and doing 'evil', the works. And, beneath it all, he underpins everything with a discussion of faith.

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Is The Hunger Games the greatest modern movie epic?

Lorde - "Everybody Wants to Rule the World" (Catching Fire)

The-Hunger-GamesFinally saw Mockingjay, Part 1 last weekend. All three movies seem to be a slightly different style, but they all revolve around a really interesting anti-authoritarian, anti-media theme. What's interesting isn't just how the theme is handled (intelligently and provocatively), but how it has evolved over the three films, without losing the basic action/adventure/coming-of-age premise that makes the whole thing so fun. It is also, in a way that many of its peers is not, strikingly contemporary.

It'll be interesting to see how it dates, but given the world doesn't seem to be de-paranoia-ing, de-militarising or de-media-saturating any time soon, I suspect this might be something made for the long haul.

Anyway, after a day or so of pondering, here's my challenge - is there a better modern movie epic?

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Pompidou Posse by Sarah Lotz

Pompidou PosseFreedom's just another word for nothing to lose.

And with that, Janis Joplin captures the beautiful/painful dichotomy of Sarah Lotz's Pompidou Posse. Vicki and Sage are seventeen and practically drowning in freedom. After an incident (fire, building, art college), the two friends make the only 'rational' decision: they run away to Paris. Armed with Pet Semetary, some 2000AD comics, a few of their favourite sculptures and, of course, their boots, the duo head to the city of love to find themselves. They're young, they're artistic; they've got enough money for at least two bottles of cheap wine... and, plus, they're together. What else do they need?

As it turns out: quite a bit. 

Pompidou Posse oscillates between the joy and the agony of perpetual freedom. Vicki and Sage are responsible to no one and to nothing; their anarchic existence is purely about scraping together enough money for wine, shelter and the occasional shower. Any excess is spent on, well... more wine (or other addictions). This is freedom: they're making art, they're making friends, and they're living beholden to no one.

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