We found a cute little landscape drawing in an antique shop today, but we were much more taken by the print the reverse. Because GIANT PHEASANT ADVENTURE is pretty amazing.
It’s not unusual for a comic book artist’s style to develop or progress as their career continues. It’s a bit rarer for an artist to totally change their style or technique over time or between projects, although many artists do experiment. It’s rarer still for an artist to use two totally different styles or techniques at the same time, in the same book and even on the same page... but one who does is top comic artist and cartoonist: Ramón K. Pérez.
I've reviewed four of this year's #SPFBO finalists already - you can find those here, as well as my (slightly whiny) approach to scoring. The best way to keep up with all the reviews is through this page, where organiser-and-author Mark Lawrence keeps track of the scores and reviews.
This set includes assassins and demons and all sort of fantastic goodies, so let's get stuck in.
A throwback! Huzzah! Assassin's Charge is easily one of the most readable of the finalists - a zippy, accessible fantasy that's quick to pick up and easy to read. Rhisia Sen is one of the classic fantasy tropes: the badass assassin. We're introduced to her in all of her badass glory: she plots a job, does some remarkable gymnastics, flings awesome gear about and, steely-eyed, gets the job done. Then she returns home to her mansion, gets pampered, has sex with gritty boy-toys, and is generally, you know, badass.
Except even Rhisia's badassery has its limits. Her handler gives her the job of a lifetime - an incredible payout that will allow her to retire in total luxury. She travels out to a village in the middle of nowhere, ready to do her assassination thing, but... the job is a kid (child, not goat). Rhisia's heart might be badass, but it still beats. In an unprecedented act of unprofessional behaviour, she calls the job off.
Unfortunately, the job has other ideas. It turns out that Rhisia's handler - backed by the Emperor himself - has betrayed her. And Rhisia now has a price on her head. With her (still-breathing) victim in tow, and a sexy smuggler to help, Rhisia sets out to solve the mystery, turn the tables and, of course, save her skin.
Stark says: “Wounds, shock, sore feet, Kolaloka will cure all!”
Ever since I staggered headfirst into a clip from Lemonade Joe on YouTube, I’ve been dying to review it. “Who the hell is that?” I thought, watching a man with a curly moustache prance through a musical routine, “what is this film? Why are those Jan Švankmajer-style wax heads spinning around? Wait, IS THIS A WESTERN?”
Ah, String. Easily one of my favourite TV characters of all time, from one of the greatest television shows ever made, HBO’s The Wire. Amid a large and stellar cast of characters, String stands out; only Omar Little gives him any real competition for Best in Show. This is down in part to the suave, physically imposing presence of Idris Elba; he literally towers over nearly everyone else. But it’s also because, like Omar, Stringer Bell is textured and sympathetic enough that you’re almost tempted to consider him an antihero, in spite of his – uh, let’s say casual – regard for human life.
Ten bloggers read 30 self-published books each. Every blog selected one book for the final. Now, all ten bloggers are reading all ten books in pursuit of FANTASY EXCELLENCE (or, at the very least, a winner). We're each moving at our own pace, so the best way to keep up is through this page, where organiser-and-author Mark Lawrence keeps track of the scores and reviews.
So... I hate doing ratings for books. Genuinely. For long-term readers of this blog (hi mom!), you'll know that we haven't scored a book since 2010. In fact, in one of the few blatantly self-serving acts of revisionism I've ever committed, in 2011ish, I went through and deleted all the scores from previous reviews. I really don't like rating books.
However, I completely understand the need for some sort of judging system for the SPFBO, which features ten multiclass blogger/judges with very, very different tastes and scoring standards. So, I've embraced the chaos, and used numbers. Basically, this is a disclaimer that my numbers are just my numbers and OH GOD NEVER AGAIN. Also, please remember that the way judging works means I'm reviewing ten books that I didn't 'pre-select', so, naturally, they're not all going to be to my personal taste.
So, all caveats said and done, let's hand out the first batch of arbitrary numbers!
We did so many things wrong.
In the introduction, 600-odd pages ago, Anne mentioned that we launched our first anthology, Stories of the Apocalypse without, well… the book. A dozen authors, another dozen family members, a double-handful of supportive friends and a couple befuddled strangers all gathered at Tate Britain to awkwardly scan some QR codes and listen to vague promises of future delivery. We sold three ebooks that day. Not exactly the glorious march into literary history that we had envisioned.