I recently saw a trailer for the upcoming film, Kingsman: The Golden Circle, a sequel to Kingsman: The Secret Service, a 2014 film based on a comic by Mark Millar and frequent collaborator, Bryan Hitch. Directed by Matthew Vaughn, Kingsman recaptured the over-the-top violence of their earlier collaboration Kick-Ass but was playing in the sandbox of a Bond-style spy-action-thriller.
In fact, the film was essentially a Bond spoof and, while it sought to make a point about class prejudice (although what that was I’m not exactly sure), their approach to women was much more in the vein of having their cake and eating it too. The female characters in Kingsman: The Secret Service are almost entirely sidelined, silent or uncomfortably sexualized. While womanizing has been a part of the Bond-style spy movie since its inception, is it a necessary part?
Well, if you want a spy thriller every bit as Bond as Bond (or Kingsman) but without the uncomfortable sexism, I’d highly recommend Ed Brubaker and Steve Epting’s Velvet (colours by Elizabeth Breitweiser, letters by Chris Eliopoulos).