Mohammed Rabie's Otared (2016) is a harrowing existential thriller, set in a near-future Cairo. The city has been occupied by a mercenary army - a sort of quasi-Masonic organisation that swept through in a sudden coup with distinctly Cruaderish underpinnings. Cairo persists - everyday life plods along, despite the foreign invaders and the ominous ring of battleships.
Otared is a former policeman who, infuriated by the way the government rolled over, has joined the rebellion. His job is distasteful: assassin, freedom fighter, terrorist - everything in-between. Otared repeatedly asks the same question - how far would you go? - with different nuances and inflections each time. The voiceless people of Cairo are choosing between two - if not 'evils - brutalities. Otared decides what he will do, how far he will go, in the name of a city that he never particularly liked and certainly never liked him. It is particularly telling that the resistence is led neither by civilians nor military, but policemen - who Otared describes less as a public service and more like a necessary evil.