Benjamin Percy's The Dead Lands (2015) is a post-apocalyptic retelling of the Lewis and Clark story. After a virus and a nuclear holocaust sweep the world, few survive. In the walled colony of St Louis, the memory of civilisation - or even a greater Unites States - is fading. The citizens are more concerned about water, mutated critters and, when they stop to think about it, their increasingly dictatorial 'Mayor'.
Lewis is the town's librarian, mechanic and something more - the lattermost being a side effect of the world's newly irradiated landscape. Clark is one of St Louis's scouts, the few brave people who forage outside the city walls. When Gawea, a stranger from the far West, comes to town, the two see this as an opportunity - proof that there's something more than their insular, decaying city-state. With a few comrades in tow (some more eagerly than others) they set out...
The Dead Lands is a tough one to puzzle out. Structurally, this is a massive - epic, even - quest, with the future of humanity on the line. There are heroes in search of their powers, Big Bads, little bads (with pointy teeth), fathers with dying wishes, timeless romances, etc. etc.
Certainly there are similarities to the many other post-apocalyptic novels that fill the shelves, but, despite a few recognisable tropes and set-pieces, readers looking for yet another reboot of The Stand will be sorely disappointed. The Dead Lands is a return to a much older story, presented in a way that deliberately inspires - or even provokes - the reader.