Cristina Algarotti, Monday, Wednesday, Friday, Sunday (Howells 2018), 292pp
The main character in Algarotti’s new novel is an artificial intelligence, a consciousness spun out of a cat’s-cradle of linked supercomputers (some on earth, some in orbit, one on the moon), called Lah Rïd 7040qb, known as Lala by its developers. The opening chapters are all told from the point of view of Lala: how s/he comes into awareness, his/her friendships with Lance and Kuoh (his/her favourites amongst the programmers and developers). She’s a charmer, is Lala: vastly knowledgeable and sensitive, creative and accomplished. Through her eyes we see the wonder of the world as if for the first time. Algarotti effortlessly sketches in her interplanetary future, its gleaming tech, its marvellous ruins, explosions throwing out lotus-petals of light, crowds pulsing along the superhighways, webbing between Earth and Moon, and humanity’s hopes for reaching the stars.